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seawigs part 6: the crisp family home

Some more step-by-step drawings from Oliver and the Seawigs work in progress. First, a thumbnail sketch. That's supposed to be Mrs & Mr Crisp and Oliver in their Explorermobile, but I hadn't decided what it would look like at that point, so I just drew it as a blob.



This one's a more detailed pencil rough. The picture changed a lot from the original thumbnail doodle; I thought I could make the composition more sweeping and dramatic, since it's the first time Oliver sees his new house.




Here's the inked version. It's not a complete drawing; I scanned this, then added more elements in Photoshop.



And here's the final version! Do you like it? I'm rather pleased with how it came out.



I tried to put in lots of fun little details to spot. And off on the right, by the house, there's a pile of rocks, known on Dartmoor as a 'tor'. There are loads of tors around where the Seawigs writer Philip Reeve lives, and they're the most amazing natural sculptures. Here's a photo from a day when we were out oh the moor, being explorers.



You might recognise the Harley-campervan mash-up from an earlier blog post about designing the Explorermobile.



I based the house on my aunt and uncle's family fishing cottage in Seldovia, Alaska. The houses on stilts there are so fun to draw:



You can see more photos and drawings from Seldovia here, it's such an amazing place.



Here's another question. Feel free to chip in yours among the comments, and I can try to answer them as I write these posts! Here's one from illustrator Alex Paterson:



Hi, Alex! When I drew the thumbnails, I just used standard A3 printer paper. But when I did the pencil sketch, I used cartridge paper from Brighton-based Seawhite. It's pretty much the cheapest drawing paper you can buy that's still good quality, and my old art college (Camberwell) sells sketchbooks of its paper in the college shop, which I still use. When I was drawing the black lines for Vern and Lettuce, I used cheap printer paper, which was thinner and therefore easier to trace on the light box. But I can just about see through this Seawhite paper. I buy it in big packs from John Purcell Paper. (They're based in Stockwell and they deliver! I didn't know this for awhile, and hauling it from Brixton on two buses was a nightmare. Especially in a high wind, it would flap like a sail.)

Here's how I store the big packs of paper, next to my messy desk. I designed that slotted red box to fit the packs of paper exactly, and my friend Eddie Smith built it for me. (I hope the paper mills don't ever change the paper size!)



Stay tuned for more Oliver and the Seawigs blog posts!

One more thing: congratulations to my friend Caroline Smith, who appeared with a bunch of doctors and surgeons and things from Lewisham NHS Trust in last night's episode of The Choir on BBC2. Fingers crossed as her choir battles it out with the Post Office singers and two other workplace choirs!

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Comments

( 4 comments — Leave a comment )
kirstymcallister.blogspot.co.uk
Sep. 21st, 2012 10:53 am (UTC)
I like how you reversed out the grass textures - gives a real lino feel. Also the combination of line and tone is very interesting.
jabberworks
Sep. 21st, 2012 11:06 am (UTC)
Hey, thanks! I wish I had time to do the whole book as lino cuts, but that would take AGES. So tempting, though. :)
(Anonymous)
Sep. 26th, 2012 03:02 pm (UTC)
from finn in dublin
hi this is finn. you met me at the mountain to sea book festival.

i was just going to say how amazing your drawings are!
jabberworks
Sep. 27th, 2012 08:06 pm (UTC)
Re: from finn in dublin
Hi, Finn! Thank you, and thanks for leaving a comment! I hope your comics are going well. What are you working on right now?
( 4 comments — Leave a comment )