About a month ago, a portrait photographer named Madeleine Waller
visited me at the studio, on a mission to shoot series of portraits of children's book creators. I'd recently found a second-hand dress with a wonderfully over-the-top Princess Di collar and liked the way that it made me look a bit fussy and ornate, sort of like one of those old paintings you see in grand old houses, of Georgiana Duchess of Devonshire, and the like. Photo by Madeleine Waller
I love drawing from those sorts of paintings, so I made a drawing of this one, too. (With added Sea Monkeys.)
It was kind of strange looking at the photos, because I think Madeleine was quite keen to catch me in serious, reflective poses. It's is not something I do naturally when in front of the camera; I'm a bit nervous of pretentious-looking Serious Author photos. Like, look at me, see how deep and sensitive I am
. My studio mates and I vy at least weekly to see who can look stoopidest in front of the camera. Photo by Madeleine Waller
But my dress helped me with this, by making me look like a total bimbo. I'd never worn it before. While the collar looked loverly, the dress had been almost floor-length, and I'd taken it up to what I thought was just above the knee. I'm a bit bad with hemming, I never know quite what I'm going to get. This dress is made of some weird poly fabric that rides up whenever I lift my arms, which I would have realised on the day if there had been a mirror around. So I was having fun reclining on a studio sofa for the friendly photographer as she snapped and snapped. And then when I saw the photos later, I realised my skirt had ridden up so high that it was, well... quite racy
ARRGGGGH. I mean, it doesn't look bad
, exactly, but it wasn't quite the image I try to put forward as 'children's author'. And Madeleine didn't know me well enough to know that wasn't my intention. Red face.
I won't post those photos here, but you can see one on her website
, where she has some really amazing work. My favourite is a shot of my friend Viviane Schwarz
in the awesome superhero dress she made from a duvet cover. Photo by Madeleine Waller
Learning how to be photographed is another one of Those Things They Don't Teach Us in Art College
. I never realised how much it would be a part of being an illustrator. I used to be terrible with photos and avoided them. Then I thought I was getting better at it until my sister and friends started teasing me about always having the same rictus grin in every Facebook photo.
...But what is one supposed to DO?
I'm still trying to figure this out [cue self-conscious laugh]. So many insecurities flit through our heads when we're being photographed: Do I look okay? Am I vain for trying to look better than in real life? Can I use this picture for one of those festival photos they're always asking for? Will this picture help sell my books? ...Am I being vain?
They're kind of the same questions we ask ourselves when we draw our self portraits. Will everyone think I'm being vain? Is this just irritating self-indulgence? Should I displace the embarrassment by posting a photo of the cat instead?
But drawing self portraits is one of those basic things we're supposed to do to hone our drawing skills; Van Gogh did it, Rembrandt did it. Photographer Cindy Sherman does it, everyone does it. And then I read about people who have serious addiction problems with posting Internet selfies, and I think, right, it's time to book a slot with the therapist
Check out Madeleine's two new books with Hoxton Mini Press
These people are quite brave to pose for her - in their swimming costumes - and they're beautiful photos.